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Patrick Aranda |
Patrick Aranda is one of ragtime's most entertaining and talented
performers. He plays a mean piano, sings, performs on trombone, tuba, and who knows what all (not necessarily all at once), and
has a huge ragtime repertoire, including the most difficult and flashy novelty-style rags, plus classic rags, Harlem stride
compositions, and favorite tunes from the Tin Pan Alley era.
Fans can currently see him perform at Disneyland as main Street's Ragtime pianist on
Fridays and Saturdays. He also plays piano with various traditional jazz groups including Auntie Skinners Lucky Winners Jazz Band, and The Burgundy Street Jazz Band.
He is a Music Professor at Chaffey College in Rancho Cucamonga, where he directs the Jazz Band and Concert Band, as well as teaching classes ranging from theory and musicianship to History of Jazz.
He also stays busy directing at least three musicals a year.
He
made his Sutter Creek Ragtime Festival debut in 2002 and has been invited back by popular demand ever since. In 2003 he was among the
modern ragtime composers we honored at our Festival, having created several of his own ragtime pieces, including one inspired by his
Sutter Creek debut. Patrick is a favorite headliner at Orange County's annual RagFest and The Ragtime Corner of the
Sacramento Jazz Jubilee. He has also been featured at the West Coast Ragtime Festival in
Sacramento.
In his spare time, Patrick plays trombone in his brother's Salsa band; performs with several Southern California Dixieland
groups, and, has finally recorded his own solo CD. Visit Patrick's website
at: www.PatAranda.com |
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Jack and Chris
Bradshaw |
Jack and Chris Bradshaw ,
ragtime piano duo artists from Gilroy CA, are bringing their unique sound to Sutter Creek
again this year. Jack's four-hand arrangements of popular rags, cakewalks, marches
and novelty numbers are played with a sparkle reminiscent of old-time piano rolls. This lively
pair has also appeared at the West Coast, Scott Joplin, Blind Boone, RagFest,
Shaniko, Cascade, and the Fresno Flats Ragtime Festivals. plus The Ragtime Corner of the
Sacramento Jazz Jubilee. They have also performed numerous concerts in places such as Portland, and Gresham
OR, the South Bay area of CA, Lubbock, TX, in Sun City, Scottsdale and Tucson, AZ, and at the Old Town Music
Hall in El Segundo, CA.
Jack also plays classic and new ragtime solos to round out their programs. Jack and Chris each hold advanced degrees in
music and perform regularly at Sacramento Ragtime Society and South Valley Music Makers meetings. |
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Tom
Brier |
Tom Brier, affectionately dubbed "Hot Rod Tommy," used to be
California’s greatest ragtime secret until the summer of 2001, when he
made his debut to tremendous applause (and much jaw-dropping) at the Scott Joplin Festival in Sedalia, MO and the Blind Boone Festival in
Columbia, MO. In his early thirties, this composing genius and pianist extraordinaire, hails from Oakdale, a Central Valley farming community
south of Sacramento. He currently lives in Sacramento where he works as a programmer/analyst for the County of Sacramento. Tom caught the
ragtime bug when his parents purchased a Schubert mechanical player. He was only 4, but when he started picking out tunes he heard on the piano
rolls, his parents immediately found him a piano teacher. Soon Tom was notating his own music and by age 11, he had composed nearly a dozen
rags. Today he has over 160 ragtime compositions to his name, all remarkably original but clearly demonstrating his depth of
understanding of early ragtime subtleties. In 1985, at age 14, Brier made his first
appearance at the Sacramento Ragtime Society meeting, blowing everyone away with his signature rapid-fire left hand runs.
Since that time, Brier has been a mainstay at the Ragtime Corner of the Sacramento
Jazz Jubilee, the West Coast Ragtime Festival, and recently our Mother Lode Ragtime Society gatherings.
He has recorded six CDs, has a vast ragtime sheet music collection, is noted for performing and
popularizing extremely rare but wonderful rags, and for inspiring pianists to attempt to keep up with him. |
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Jared DiBartolomeo |
Jared DiBartolomeo is a 21 year-old
student attending Diablo Valley College in Pleasant Hill, California. At
age 17 he earned his A.A. degree in liberal arts from the college, where
he had been taking classes since he was 12, and is now working toward a
major in civil and transportation engineering.
Jared was first exposed to ragtime at the age of two when his father
played the Maple Leaf Rag on the home piano. The syncopated rhythms left
an impression on Jared, and at age eight he started taking formal piano
lessons. Within a year and a half, he was playing The Entertainer. After
receiving a folio of Scott Joplin’s rags and some recordings, Jared dove
deeper into ragtime enthusiasm, and over the next nine years expanded his
repertoire to include the works of other ragtime composers, as well as
novelty and stride piano.
A
major turning point occurred in 2004 when Jared chose ragtime as the
subject of a research paper for a music literature class at Diablo Valley
College. He attended the West Coast Ragtime Festival for the first time
and had the opportunity to interview six musicians, one of whom was Marty
Eggers, known for his vast knowledge of ragtime and traditional jazz.
Portions of Jared’s paper were later published in the West
Coast Ragtimer. Jared began studying ragtime with Marty Eggers in
early 2005, and since then has had numerous opportunities to perform at
San Francisco’s Pier 23, the SRS Ragtime Corner at the Sacramento Jazz
Jubilee, Sutter Creek Ragtime Festival, and the Eau Claire Ragtime
Festival. He is looking forward to his second appearance at the Sutter
Creek Ragtime Festival.
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Marty
Eggers |
Marty Eggers is well
known on the West Coast as a top-notch ragtime pianist and bassist. Marty's
music career began in Sacramento where as a teenager he helped found the
Sacramento Ragtime Society in 1982. He has played with numerous San Francisco
Bay Area jazz and ragtime groups, most notably John Gill's San Francisco
JazzBand and the Black Diamond Jazz Band. His talent and versatility have led
him into several varied and prestigious engagements, from recording with
traditional jazz legend Bob Helm to touring Germany with Hal Smith's Rhythm Cats
to playing in backup bands for both Leon Redbone and Butch Thompson. Marty is
also a skilled composer and arranger of ragtime and traditional jazz.
He also appears with the Tichenor Family Trio (Trebor Tichenor, Virginia
Tichenor, and Marty) and performs as a soloist at least once a month on Tuesday evenings at
Pier 23 in San Francisco and Wednesday evenings at the Straw Hat Pizza Parlor in
Rancho Cordova, CA.
Terry Waldo describes Marty as having "..an encyclopedic knowledge of
the ragtime and early jazz repertoire ..."
Marty is married to ragtime pianist Virginia Tichenor (see below) and is a past
president of the West Coast Ragtime Society. |
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Heebee Jeebees
Bub Sullivan, Petra Sullivan,
and Robyn Drivon |
The Heebee Jeebees offer an array of contemporary and classic rags, including Latin tangos and waltzes, plus ragtime and novelty songs.
The group consist of:
Petra Sullivan, piano
Bub Sullivan, mandolin/cünbus/vocals
Robyn Drivon, tuba
Among the pillars of the Sacramento Ragtime Society, the Sullivans have been part of the ragtime world for over 20 years. They have had the rather unique pleasure of being interviewed and performing in China for Shanghai television.
A Sacramento native, Petra has a degree in Music and teaches violin and piano. Bub, originally from Chicago, also studied classical piano as a child, then later took up string instruments before discovering ragtime
The Sullivans are very pleased to have Robyn Drivon (since 2002) round out the group with her excellent and tasteful musicality. Robyn is Counsel for Yolo County. In 2006, she moved from Stockton to Woodland. |
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Frederick
Hodges |
Frederick Hodges, of Berkeley, CA was groomed for a career as a concert
pianist but was happily lured away from his path after he found a stack of
turn-of-the-century sheet music in his grandmother’s piano bench.
Repeated exposure to the rollicking ragtime rhythms of player pianos and 78 rpm
phonograph records sealed his fate and he set out to master the ragtime playing styles that had captivated him.
While still an undergraduate at UC Berkeley, he was hired as pianist for the
Royal Society Jazz Orchestra, for which he has played for 20 years. He also
performs with the Peter Mintun Orchestra, with jazz ensembles, and as a soloist.
He appears at least once a month on Tuesday evenings at Pier 23 in San Francisco and Wednesday evenings at the Straw Hat
Pizza Parlor in Rancho Cordova, CA and he is a much applauded featured performer at the
Sacramento Jazz Jubilee's Ragtime Corner and West Coast Ragtime Festival. |
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Brad
Kay |
Brad Kay, pianist, cornetist, composer and
musicologist, has played in and led bands in Los Angeles since 1965, when he
began performing at Shakeys' Pizza Parlors. Music has been his consuming passion
since childhood, starting with ragtime, developing into a love for all great
American music, especially the hot jazz of the 1920s. He was a sideman in the
Mystic Knights of the Oingo Boingo (1974-77); led his own band, The
Majestic Dance Orchestra (1975-79, 1991-94), which recreated hot orchestral
music of the 20s and 30s. In his septet, The Uptown Curmudgeons of Swing
(1995-97), he evoked some of the great pianists of the era such as Fats Waller,
Duke Ellington and George Gershwin (among many), but was essentially himself in
his heatedly optimistic solos.
Classic ragtime was Brad's first inspiration, and his entree into composing. A
folio and cassette of some of Brad's original ragtime compositions, "Seven
Rags" appeared in 1994.
One of his more curious composing projects was providing background music for
celebrated writer Harlan Ellison's reading of his famous short story, Jefty Is
Five.
Brad has arranged and performed for film soundtracks, including Martin Brest's
"Hot Tomorrows," (1976); Richard Elfman's "The Forbidden
Zone" (1982); Tim Burton's "Nightmare Before Christmas" (1994);
and Jon Zeiderman's "Artifacts" (2001).
As a music researcher, Brad has made several important discoveries, including
new and previously overlooked 78 rpm records by Bix Beiderbecke and Louis
Armstrong, as well as the phenomenon of "Accidental Stereo," which
resulted in true stereo realizations of music by Duke Ellington and Sir Edward
Elgar, among others, recorded in the early 30s! He has produced LP and CD
reissues of great and overlooked artists such as vaudevillian Jane Green and
pioneering bandleader James Reese Europe. He has contributed to many reissue CDs
out of his vast collection of original 78s.
Since 1997, he has led a piano trio, plays cornet and piano and records
with Janet Klein and Her Parlor Boys. His major passion these days has been
composing, racking up over 1,000 pieces since November, 1998. Some of the best
of these are heard on his debut album of piano music, "We Gotta Start
Meeting Like This" (2000).
Currently, Brad is developing his solo entertaining ability, performing
Sunday afternoons at the Unurban Cafe in Santa Monica. He plays and sings from a
vast repertoire of the century's popular music, veering from vaudeville routines
to romantic ballads to hot instrumentals, lacing them together with wit and a
powerful yen to delight his audience.
Last year Brad was collaborating with the late beloved singer Susannah
McCorkle on an album of meditation/healing piano music.
Brad has also conducted seminars on jazz and early pop music for Elder
Hostel and has done volunteer gigs for community programs such as Angel's
Flight. |
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Carl "Sonny" Leyland |
Carl "Sonny" Leyland blew everyone’s socks off at our 4th Sutter Creek Ragtime
Festival (when he was lesser known) and has subsequently done the same at
just about all the prestigious festivals in the country, including the Scott Joplin
and Blind Boone Festivals in Missouri, the West Coast Ragtime Festival in
Sacramento, Orange County’s RagFest, plus the Sacramento and San Diego Jazz
Jubilees. We’re lucky he loves us and agreed to thrill us with a return
appearance this year. His ability to recreate obscure and primitive styles in the genre of
barrelhouse, blues, and boogie woogie, combined with the originality and
soulfulness of his own music, makes him one of today’s most exciting pianists.
Plus he sings!
Born in the south of England in 1965, Sonny took up piano at age 15.
His inspiration was the boogie woogie music of Albert Ammons, Pete Johnson &
Meade Lux Lewis. Fascinated by this style, Sonny traced it back to its Barrelhouse roots, incorporating the stylings of Jimmy
Yancey, Cow Cow Davenport, Little Brother Montgomery and other notables into his own playing. In
1988, Sonny headed for New Orleans, where he lived for 10 years, appeared at
the world-renowned New Orleans Jazz & Heritage Festival, and furthered his
exploration of piano genres, including Blues, country, R&B, rockabilly, Rock and Roll, and, of
course, traditional jazz and ragtime. He has toured in Europe and the United States as a solo act and with bands
such as Anson Funderburgh and the Rockets and Big Sandy and His Flyrite Boys. Following a trip
out west in 1995, Sonny relocated to California. He now resides with his wife in New
Cuyama, CA. Sonny has several
CDs to his name, his most recent with the Carl Sonny Leyland Trio, featuring Carl, Hal Smith on
drums, and Marty Eggers on bass. |
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Stevens
Price |
Stevens Price, owner of the Sutter Creek Ice Cream Emporium, is the
founder, director, and producer of the Sutter Creek Ragtime Festival, greatly assisted by
the creative genius of his talented wife, Jan ("Ah Sweet Sue") Price, reigning star
of the Dill Pickle Ranch Ragtime Melodrama. After hearing his dad perform "boogie
woogie" on the family piano, Stevens began picking out music by age 12 and was soon playing
boogie and other styles as a self-taught artist. Then he went to college as a music and drama major, where he decided to take piano
lessons. Needless to say, he had to unlearn certain techniques. When he discovered ragtime, Stevens became a regular at the Maple Leaf Club
meetings in Los Angeles. He still remembers playing Scott Joplin's "Maple Leaf Rag" with six
other club members on six pianos. At the Ice Cream Emporium, Stevens plays whenever possible for the enjoyment of
the customers, and due to the success of the Sutter Creek Ragtime Festival, his ice cream parlor has become the ragtime
center of the Mother Lode and home of the Mother Lode Ragtime Society. Recently
Stevens has taken to composing ragtime and has at least seven ice-cream flavored
toe-tappers to his credit. Stevens is active with the Sacramento Ragtime Society, has performed at the Ragtime Corner at the
Sacramento Jazz Jubilee, and is the pianist and chief shtick artist of the Dill Pickle
Ranch Ragtime Melodrama crew. |
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Raspberry Jam Band
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The Raspberry Jam Band
consists of:
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Julie Austin - vocals/percussion |
| Katie Biggs - Sign Lady |
| Tom Brier - piano |
| Mark Meeker - tuba |
| George Preston -
euphonium/vocals |
| Mary Preston -
violin/percussion |
| Julia Riley
-flute/piccolo |
| Kitty Wilson -
percussion |
Formed in December 2005, the band has become part of the ragtime scene in
the Sacramento and Sierra foothills areas. They have participated in the Ragtime Corner of
the Sacramento Jazz Jubilee, West Coast Ragtime Festival, and have been featured at
Auburn Concert Band performances. They perform at the Sacramento Ragtime Society
and The Mother Lode Ragtime Society meetings.
Interested in playing diverse works from classic ragtime to contemporary works,
the group's byword is variety. Eclectic in nature, the Raspberries especially seek out obscure or
seldom performed rags and feature the works of various contemporary composers. The
addition of slide whistles, kazoos, costuming and props add an element of whimsy to
their performances. Often featured is "The Sign Lady", who announces the numbers in unique and interesting ways.
Julia Riley, Mark Meeker, George Preston, and Mary Preston also perform as the Ragtime
Rascals Rampage in the Auburn area and are members of the Auburn Concert Band.
Another subset of the Raspberries (Tom Brier and the Saloon Sweeties) includes Julie Austin, Tom Brier,
Mary Preston, Julia Riley and Kitty Wilson. Vocalist Julie Austin performs as a soloist
accompanied by Tom Brier and Julia Riley. |
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John Remmers |
John Remmers lives in Ann Arbor, Michigan and recently retired after many years of service as a faculty member in mathematics and computer science at Eastern Michigan University. He's been playing classical piano from early childhood and ragtime since the early 1970s, when he became entranced by the musical form upon hearing Joshua Rifkin's recordings of Scott Joplin's piano rags. After a swing into harpsichord playing and early music in the 1980s, John's musical focus returned to ragtime in the 1990s, and he became a frequent after-hours performer at ragtime festivals around the country.
Since he retired from his day job, John's involvement with ragtime has intensified. He has been featured on the programs of the Scott Joplin Festival, West Coast Ragtime Festival, Sutter
Creek Ragtime Festival, Lake Superior Ragtime Festival, Blind Boone Festival, and the Ragtime-Jasstime Festival in Alexandria Bay, New York. He has appeared as guest soloist for the Classic Ragtime Society of Indiana and has competed in the Old-Time Piano Playing Contest in Peoria, Illinois. His first CD was just released.
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Hal Smith
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Drummer Hal Smith became interested in ragtime in the 1950s when he discovered 78s by Johnny Maddox, Marvin Ash and others in his father’s record collection.
Though Hal did not become a pianist, he has enjoyed playing ragtime on drums since he took up the instrument in 1963. Since then he has been privileged to play with legendary pianists such as Wally Rose, Pete Clute, Knocky Parker, Burt Bales, Dick
Wellstood, Trebor Tichenor, Bill Mitchell, Ralph Sutton and Dick Hyman.
In 1987, Hal became the regular drummer with the Butch Thompson Trio. He joined the the Ray Skjelbred Quartet in 2002 and the Carl Sonny Leyland Trio the following year. In addition, Hal continues to drum alongside such notable pianists as Paul
Asaro, John Royen, Jeff Barnhart, Neville Dickie.
He has also worked with many of the best contemporary traditional jazz bands—including the South Frisco Jazz Band, Original Salty Dogs, Dukes of Dixieland, Jim Cullum Jazz Band, Grand Dominion Jazz Band, Black Eagle Jazz Band, Silver Leaf Jazz Band, Hall Brothers Jazz Band, Soprano Summit, Banu Gibson, Climax Jazz Band, Waldo’s Gutbucket Syncopators and dozens more.
Hal’s own bands have spanned a wide range of musical genres from San Francisco style jazz (Down Home Jazz Band, Frisco
Syncopators) to swing (Rhythmakers, Roadrunners, Hal’s Angels) to Rockabilly (the Hayriders—his current band). All told, Hal has recorded over 160 LPs, CDs, tapes and videos.
Currently, Hal continues to work with Butch, Sonny and Ray, plus the Yerba Buena
Stompers, Bob Schulz’s Frisco Jazz Band and occasionally with the Titanic Jazz Band. For special occasions, He assembles “Blue Voo”—a Kansas City-style swing sextet that includes Sonny on piano and vocals and Hal’s wife June on acoustic rhythm guitar. In addition Hal plays Country and Western with the Cash Kings and Big Rig Deluxe and blues with Blue Largo, the Robin Henkel Band and the Johnny Rover Blues Band.
He is President and assistant director of America’s Finest City Dixieland Jazz Society in San Diego—the organizers of the San Diego Thanksgiving Dixieland Jazz Festival. He also teaches drums at the AFCDJS Adult Jazz Camp.
His articles have appeared in the Mississippi Rag, American Rag, Just Jazz (U.K.) and the Bulletin of the Hot Club of France.
Hal has several hobbies, including the Old West and the War Between the States. But hobby #1 is Railroads. He is a member of nine railroad historical societies, collects railroad books, DVDs, videos and memorabilia and has traveled as far as Shreveport, just to watch trains.
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Keith Taylor |
Keith Taylor began playing ragtime in 1972. Until that time, his
musical background was classically oriented. Earning a Bachelor of Music degree in piano and a Masters in composition, including
studying composition in Paris, France, he continues to perform and compose both types of music. For many years he taught
instrumental music in the Los Angeles Public Schools. He currently lives with his wife in Azalea,
Oregon where he freelances as a composer and a pianist. Since boyhood, Keith has
traveled twice a year to the Mother Lode to photograph the historic towns and to play every saloon piano he finds — tuning
and repairing them while he's at it — a very popular fellow! In 1998 he dropped by the Sutter Creek Ice Cream Emporium,
where he discovered another piano and Stevens Price, someone he hadn't seen since the two
met at The Maple Leaf Club in Los Angeles 20 years earlier. Keith was the inspiration behind
Stevens' decision to organize the Sutter Creek Ragtime Festival of 1999, and that was such a success, Keith returned
home and re-organized the Cascade Ragtime Society which now sponsors an early April Ragtime Festival in
Roseberg, Oregon. Keith, along with Tom Bopp, is also responsible for initiating the Fresno Flats Vintage Music Festival held each February in Oakhurst, CA. Keith’s latest
undertaking is the Annual Shaniko Ragtime and Vintage Music Festival held in a wonderful ghost town in
Oregon each September. |
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Virginia
Tichenor |
Virginia Tichenor has been consumed by ragtime her entire life. She is the daughter of Trebor
Tichenor, the noted ragtime scholar, pianist, collector and founder of the St. Louis
Ragtimers. She studied music at the St. Louis Community Association for the Arts and took advanced training from concert pianist, John Phillips. Always at the crossroads of the ragtime revival, her parental home houses the world's largest library of ragtime sheet music and piano rolls. Virginia grew up with legends like Eubie Blake, Max Morath and Butch Thompson chatting in her own living room. Her father is advisor-confidant for most of the ragtime community, so Virginia often heard new rags when they were forming in the minds of their composers. The topic of her college research project? The ragtime revival, of course! In 1998, Virginia released her first solo recording, a CD entitled Virginia's Favorites. It includes four two-piano duets with her father,
Trebor. It was so popular, the family has since released two other CDs, "The Tichenor Trio" which includes Virginia's father and her multi-talented husband, Marty
Eggers, and most recently, "Ragtime Reunion - Tichenor Family Five" featuring Virginia, her dad, her husband, her brother, and her sister-in-law. She is the Vice President, and past President, of the West Coast Ragtime Society. |
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Town Square Harmonizers
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Town Square Harmonizers will perform at
the Festival on Saturday. For additional information, go to their
website at: www.townsquareharmonizers.com |
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“Washboard Kitty” Wilson
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Wearing dresses and hats reminiscent of the ragtime era, “Washboard Kitty”
plays her embellished washboards with thimble-tipped “tap dancing” fingers, adding brushes, cymbals, bells and castanets as needed for musical accent. Kitty began playing her unique instrument several years ago with the Los Trancos Woods Community Marching Band in Palo Alto CA, and still participates regularly in various Bay Area parades with that colorful band. Through band colleagues she learned about, and subsequently joined, the Sacramento and West Coast Ragtime Societies and has been contributing tasteful percussion in performances with various well-known ragtime pianists ever since.
Playing both washboard and washtub/bucket bass, Kitty is a member of the Peninsula Banjo Band in San Jose CA, and the Raspberry Jam Band from Auburn CA. She participates in large washboard concerts annually at both the Sacramento Jazz Jubilee and the Monterey Dixieland Festival. She has been a welcome repeat performer at the West Coast and Sutter Creek Ragtime Festivals, as well as the Scott Joplin Ragtime Festival in Sedalia, Missouri.
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